Rhiannon Adam

... was born in Co. Cork, Ireland and was educated at Central Saint Martins college of Art and Design (London), and at the University of Cambridge.

Adam's work is heavily influenced by her nomadic childhood spent at sea, sailing around the world with her parents. Little photographic evidence of this period in her life exists, igniting an interest in the influence of photography on recall, the notion of the photograph as a physical object, and the image as an intersection between fact and fiction – themes that continue throughout her work. 

Her long-term projects straddle art photography and social documentary, while subject matter is often focused on narratives relating to myth, loneliness, and the passage of time. The results of these explorations are captured almost exclusively in ambient light through the hazy abstraction of degrading instant-film materials and colour negative film, and are often contrasted with the stark reality of archive material. 

In 2015, supported by the BBC/Royal Geographical Society, Adam travelled to the remote island community of Pitcairn in the South Pacific. Pitcairn measures just two miles by one mile and is home to just 42 British subjects, descendants from the Mutiny on the Bounty. A decade ago, the island’s romantic image was tarnished by a string of high profile sexual abuse trials, as a result, islanders are particularly reticent about accepting outsiders. With trip duration dictated by the quarterly supply vessel, there would be no way off for three arduous months. Adam’s project is the first in-depth photographic project to take place on the island, and made its debut at Francesca Maffeo Gallery in Spring 2018. 

As a part of her varied practice, Adam is also an occasional publisher and curator. Her imprint ‘Lost Cat’ was founded in 2013 with the release of Kevin Griffin's Omey Island: Last Man Standing, and until 2015, she was the resident curator and co-founder of Gallery One and a Half, a photography gallery in Hackney, London.

Her self-directed work has been exhibited internationally as well as being widely featured in the press –including the New York Times, M Magazine/Le Monde, Art Review, The Guardian, The Telegraph, Huffington Post, BBC, Vice, Huck, Featureshoot, The British Journal of Photography, Fisheye, It’s Nice That, Dazed and Confused, Colors magazine, Harpers Bazaar and Loose Associations (published by the Photographer’s Gallery). 

In addition, Adam can often be found teaching workshops and giving talks at various universities and institutions – recent appearances include the Royal Academy of Arts, the Photographer’s Gallery, Tate, V&A Museum, Royal Photographic Society, and the Barbican. In 2018, her work was included in the British Journal of Photography’s Portrait of Britain exhibition and book, and the National Portrait Gallery’s Taylor Wessing Portrait Prize exhibition, as well as showing as part of 209 Women at the Houses of Parliament and Open Eye Gallery. She was also awarded the Fractured Stories commission from the British Journal of Photography, exploring the issue of fracking (hydraulic fracturing) in the UK which formed the genesis of The Rift project. In April 2019 she was named as one of the winners of The Photographers’ Gallery’s inaugural New Talent Award, and her work will be on show at the gallery between June and October 2019.

Adam’s first book, Dreamlands, Wastelands (published by Jane and Jeremy) was released in 2014. In October 2017, Thames and Hudson published her exhaustive resource on instant photography - Polaroid: The Missing Manual, The Complete Creative Guide (translated titles vary). Big Fence / Pitcairn Island is set for release in 2019.


L A Noble Gallery
Contact: Laura Noble;